“In all things of nature there is something of the marvelous.” Such a simple statement. Yet, in a few words, Aristotle sums up an expansive truth. What is it about the perfect sunset that will cause us to pull off on the side of the road, stop our car and stand in awe? Even lightning storms, their jagged electricity radiating the night, will keep our faces pressed against windows…watching heaven’s firework show. There is something about nature that leaves us breathless, enchanted by its beauty, its power, its intricacy. And this is no new phenomenon. King David, in Psalm 19 wrote: “The heavens declare the glory of God; the skies proclaim the work of his hands. Day after day they pour forth speech; night after night they display knowledge. There is no speech or language where their voice is not heard.” (v. 1-3) That voice is more than the rumble of thunder in a storm, more than the rustle of leaves on a breezy day; it’s also in the silent moments of sunrise, calling out in crimson and coral, beams of light breaking through clouds. According to David, that voice declares God’s glory. It points to the author, artist, scientist who first put this globe into orbit. 3,100 years before Discovery Channel would enable us to observe wild animals in their natural habitats, God unfolded for Job a rich, panoramic tapestry of nature. From shutting the sea behind doors, to journeying to the springs of the sea. From binding the Pleiades and loosing the cords of Orion, to counting clouds and tipping the water jars of the heavens. From knowing when the mountain goat gives birth, to commanding eagles to soar. 125 verses, spread through 4 chapters (38-41) in the book of Job consist of a documentary account of the marvels of nature.
The painting above stems from an illustration prompt given by SCBWI (The Society of Children’s Book Writers & Illustrators). Each month, members have the opportunity to submit a piece that will be posted to SCBWI’s online illustration gallery. The piece you see here will go live in that gallery on October 1st. The prompt was “Enchanted,” and my initial ideas headed toward the fairy tale realm. As a big fan of Trina Schart Hyman, I would love to illustrate fairy tales. Perhaps some day I will. Before I’d settled on any solid idea, I came across a photo that my cousin had posted to Facebook. It’s a shot of her granddaughter who appears to have stopped mid-spin, her attention captured by something off-screen. My first thought was, “I love the rim lighting, and I want to paint that expression on her face!” My next thought was of the Aristotle quote, which is on my favorite stationery at home. That took me to the question: “What is she looking at? What causes children to stop, stare, and study? For me, as a child, it would have been a cicada, caterpillar, or butterfly. And, so the illustration came to be.
I sketched out the quote in calligraphy format. Having pieced together photo references in Photoshop, I transferred my reference to watercolor paper. Then I could project my calligraphy onto the paper, playing with placement and size. The child’s face and hair, being the focal point, were the first things I painted. Moving to the background, I blocked in dark green foliage behind her, then faded down to a basic wash of grass. From there I jumped over to the caterpillar and his flowers. Her dress pattern was daunting, and I honestly planned to replace it with a simple pale blue. However, I needed the rich blue to complement her reddish-orange hair. As I worked, the pattern came together, warping as it hit each fold in her skirt. One key to this illustration was to keep everything (except her face and the caterpillar) in soft-focus. This meant a loose, soft background behind the caterpillar, fading out completely where the calligraphy would begin. Calligraphy came last. Marvelous was an easy choice…the color needed to pop as it tied in with the lighting around her hair. To balance that coral tone, blue became the thin letters of there is something. Earth tones made sense for of nature, though I pulled a few strokes of coral into that as well to tie in with the other lettering. Finally, I chose yellow for In all things, knowing it would be enough contrast to the white sky behind it without drawing attention away from my focal point word.
Need I say it?…I love watercolor! Yes, the piece was inspired by an SCBWI prompt. But I painted it for me; for fun; as a personal illustration challenge. I know I’ve mentioned it before on this blog…there is something about the story-lined wrinkles in the old, and the innocent expressiveness of the young, that pulls me right in. I enjoyed every moment of this painting.
As a side note for those who haven’t heard already: my blog was chosen to be featured for the month of September on SCBWI’s homepage! If you look on the left-hand side, in their BlogRoll section, you’ll see a link to this blog there. Mine is the 6th one down – they feature a few blogs each month, from members across the nation.