My grandparents have often talked about which of them will go first (pass away). They’ve given each other permission to die and honestly would be happiest if they died at the same time. When you’ve lived most of your life with the love of your life, it’s hard to be apart even for a short time. Murray Tinkelman said goodbye to his bride of nearly 60 years and knew that his job here on earth was done. He had run the race. He had lived a full life: enjoying children and grandchildren, a successful career, and the respect of colleagues and students world-wide. So, only two weeks after Carol’s death, I received news that Murray has also passed away.
I wish my students could have met this man. His rough language (thanks to the army) and his tough persona (thanks to a stubborn disposition and a childhood in Brooklyn) could not hide his deep love for illustration, art history, his wife/family, and teaching. I mentioned in my last post how Carol kept the Illustration MFA program running smoothly. But the program would never have existed without Murray’s vision, knowledge, and contacts. For over 40 years, he’s been a highly respected illustrator. His work has been included in the National Baseball Hall of Fame, Brooklyn Museum, the New Britain Museum of American Art, and the Norman Rockwell Museum. In 2013 he was inducted into the Society of Illustrators Hall of Fame, joining artists such as Norman Rockwell, Winslow Homer, Maurice Sendak, and Charles Schulz. In 2014 the Norman Rockwell Museum honored him with its Artist Laureate Award and an exhibition of his work.
Murray’s first illustration was published in Seventeen Magazine. When asked about that illustration, Murray is quoted as saying: “It was awful! I was paid $10. You’re right if you assume I was grossly overpaid.”
That sense of humor – quick-witted, blunt, unvarnished, and extremely funny – is what I will miss most about the man. Murray planned to retire from his role as head of the University of Hartford Illustration MFA in June of 2016. Perhaps that is the only goal he failed to achieve. However, knowing Murray, I don’t think he would regret “dying with his boots on.” His job and his life were about people. The relationships we illustrators built during our years in the Hartford MFA reflect Murray and Carol: their genius, their teamwork, their understanding that artists can’t survive alone; we thrive in an atmosphere of collaboration and accountability. Murray and Carol created just that with their program. I am honored to say that I knew him and learned from him.
About the artwork:
Murray worked mostly in pen & ink, using Rapidograph pens in a hatching and cross-hatching technique. Being color blind never held him back and probably helped to develop his sense of value range and contrast. To hear Murray describe his technique and process, click here.
* If you’d like to learn more about his life and work, check out the following sites:
For years my mom has wanted to bring the entire family together for a week on the beach. Last week we finally pulled it off! Most of my siblings, nieces, nephews, Mom and Dad were there, sharing one of the huge beach houses in Corolla. Though we all live near each other, my siblings and I rarely get to spend extended time together other than at family weddings and funerals. We’re blessed to have a family that truly enjoys each other, works together, and are patient with each other. Living under one roof for a week can test that, but I think we all left Corolla with highlights and great memories. Personally, I loved being goofy with my brothers and sisters; playing Canasta and Settlers of Catan late into the night; playing billiards with my nephews; holding my baby niece as we splashed our toes in the pool and tossed rings for my nephew to dive down and fetch; a long drive to the airport with my sister and her oldest daughter, chatting along the way; an overload of Krispy Kreme donuts…my brothers and I not realizing that each of the others had already bought a box or two. One of my favorite memories is an early morning beach walk I took with my niece, Abby. While we walked, we combed the surf for shells. And I would pause to sketch while Abby searched the sands nearby. Today’s sketches are from that walk.
The first is a gesture sketch of Abby picking up shells. A gesture is a quick sketch, done to capture the basic action of a figure. It’s a snapshot, not a detailed study. With Abby turning and stooping, standing then moving away, I only had a few seconds to study the lines, angles, basic shape of her movement. When teaching, I have my students start with a 3-5 minute study of the figure. Then we progress throughout the period, shortening allotted time for each pose, until we attempt one in 30 seconds near the end of class. It’s a fun exercise to try if you never have before! And, it’s a great way to train your eye/brain to process what you’re seeing then spit it out onto paper in a few lines.
Fishermen line the beach, particularly in mornings and evenings, casting into the surf. When walking, watch out for the invisible lines! Don’t try to walk between the fishermen and their ocean or you may get tangled in a line with them cursing you in frustration. We knew better than to get in their way. I’d say standing in cool water, with the ocean breeze on your face, beats bobbing in a boat on the lake with stifling heat any fishing day.
Stairways line the dunes – hundreds of them all alike. On a long walk, it’s easy to lose your bearings and struggle to find the staircase that leads back to your street! So, I studied ours, sketching the concrete wall and lines of sand fencing (not sure what you call it) that keep the dune sand from drifting when winds are high.
I often tell my students, “photos are great, but you really notice details when you take the time to sketch something.” Looking back at these sketches will remind me of our time in Corolla and the memories made there.
I’m currently in the middle of a couple of larger paintings, which will eventually be posted on the blog. In the meantime, here are recent excerpts from my sketch journal. The first was done in red crayon on our winter youth retreat. The second and third are from a summer sailing day in Chicago. Though I’ve seen and photographed Buckingham Fountain dozens of times in the past 24 years, many of the sculptural details went unnoticed until I took the time to study and sketch it. If any of my drawing students are reading this blog, you’ll notice that the ballpoint pen shading is done with a hatching technique. For those who don’t speak “art”: hatching is a series of strokes in one direction, used to create a range of values. More marks, closer together, makes the shading darker. The direction of a section of marks can help define various facets or planes within an object.
Above is a segment of this week’s Pick Your Portion artwork. The illustration is based on verses from 2 John, talking about our basic human need for fellowship…as well as our need as Christians to fellowship with other believers.
Artistically, I went to my favorite medium: ink with watercolor. This was a fast study, with no time for revisions. However, before I sat down at my art table, I laid out the design in my imagination, pacing basic sizes, space, lettering, before putting ink to page. I knew that I wanted a hand-written look to the lettering. I knew that “Face to Face” would be the focal point, and that the letters of each word would morph into details of the face/hair. I wanted to keep the faces simplified to a few lines…ink (not watercolor) would be the star of the show. In other words, I kept the watercolor washes basic so that they wouldn’t draw attention away from the ink line. In the written explanation on the PYP site, I talk about mentoring and accountability. So, I emphasized (slightly) the age difference of the two women chatting. For I feel we each have a lot to give younger generations, as well as a lot to learn from friends who are farther down the road of life/faith than we are. To see the full illustration, check out: http://pickyourportion.com/blog/ .
This winter I’ve been working on a mural for our church. Yesterday evening I finished touch-ups and officially signed it, so will take photos soon and upload them here. Instead, today’s post will be a glimpse into my sketch journal. Long ago (when I had the chance to travel in England) I began sketching during trips/vacations, rather than simply taking photos. It’s a good exercise, forcing me to study the details of a scene and simplify them down to a few lines. Looking back at these drawings later, I remember what I was doing, who I was with, what memories were being made that day. Yesterday afternoon was a bus-ride with 34 middle-school kids, coming home from our winter retreat in Michigan. As several of them honed in on a game of “Truth or Dare” (ah, the joys and predictability of middle-schoolers!) with their friends, I pulled out my journal and pen. Interest in the game waned as the subject of boys and “who likes who” became theme, and the handful of kids surrounding me suddenly took interest in my sketches. Elena offered to pose for me. Capturing a quick likeness is tricky, especially with the added difficulty of drawing in pen on a bumpy highway! Thankfully, Elena was patient. While the lines, measurements, and symmetry aren’t perfect, I was pretty happy with the likeness.
Flipping through my journal brought me back to several sketches from this summer’s travels. Below are studies done during my trip to visit friends in Connecticut over July 4th. The clock is actually an old time-stamp machine from a factory that my friend’s grandfather worked in. The view of back steps was sketched while relaxing on their patio one evening. And the airport sketch is a pretty typical scene…seems like today’s teens must be texting or entertained at all times!
The other day I hosted a watercolor workshop at my house…nothing fancy; just a time to hang out with friends and their daughters, and demonstrate a few watercolor basics with ink and washes. This is the study I completed that afternoon. I liked it well enough to turn it into a card! It’s nice to simply sit down and paint for fun, without the pressure of a deadline or desire to please an art director. The bird and blooms reminded me of this verse in Isaiah – one of my favorite verses because of the imagery it invokes! Whether the very rocks of the mountains are crying out in praise, or the echo of birdsong trills through the hills, it captures the joyful essence of spring. And, I can see trees in a field, their branches weighed down with blossoms, bobbing/swaying in a warm breeze…the rustle of applause as they dance for their Maker.
Happy Spring to you! May you go out in joy and be led forth in peace.
In the 10 months since my last post, I truly have been painting! I’ve completed a few private commissions, started another oil painting for my own personal pleasure, and started work on a mural. Today’s post is a fun little piece done for Waubonsie Valley High School’s fall play. Title is “Get Bill Shakespeare OFF the Stage!” The art director wanted something in caricature style. So, I pulled out my ink, sat down with watercolors, and played! The ink work (appropriately for Shakespeare) was all done with quill pen, enabling me to capture the fine-line details needed in lettering and faces. Once the painting was completed, I scanned it and did all poster lettering in Adobe Illustrator.