A couple weeks ago I had an opportunity to do something I’ve never tried before: a time-lapse video of painting! I’ve seen videos of sand art that morphs and changes from one scene to the next. I wanted to try that with a series of 3-4 scenes, painted in acrylics. I chose acrylic because it dries quickly. Once finished filming one scene, I could move right on to the next, painting directly overtop of the first scene. When the project was complete, only 1 painting would exist…the other 3 scenes being buried in layers of paint. This concept intrigued me as an artist. Artists usually create with the intent of longevity. It’s rather freeing to paint something that will only exist for 2 minutes. In fact, the snapshot shown above is only a screen-shot of the paused video. I took only footage (no photos) of each completed piece. Thus, this artwork is all about the process and the story that unfolds from scene to scene.
Though nothing was sketched out on canvas (I did what we artists call “drawing with a brush”), the process began with an evening of brainstorming and sketching. Looking at reference images from online, I chose 4 traditional nativity scenes and planned the layouts in pencil on computer paper. These pencil sketches were placed in front of me while painting, as a guideline for proportions. A friend helped me set up lights for filming. We used my camera, set on a tripod in front of my workspace. The footage is actually filmed upside-down and flipped during the editing process. This allowed a straight camera shot without trying to film over my shoulder or above my head. The scenes are simple, with stylized characters, partly for the sake of time and partly for the sake of children who would be in the audience. Color was also simplified down to monochromatic blues, white, greys. You’ll see me adjust to a brighter blue or darker grey as I’m painting characters, always working toward a balance of light-on-dark or dark-on-light. This way, forms and details stand out against the surrounding colors.
This project was done for my church’s Christmas choir presentation. Our worship leader planned a Chris Tomlin song (Noel, performed by Lauren Daigle) as the background music. Though I’d heard it on the radio before, I hadn’t noticed the lyrics until now. The 2nd verse says:
Son of God and Son of man
There before the world began
Born to suffer, born to save
Born to raise us from the grave
Christ the everlasting Lord
He shall reign forevermore
Come and see what God has done
The story of amazing love!
The light of the world, given for us
Personally, I’ve often pictured in my mind that transition from Creator to creation. Few books or songs talk about it. Christ was there with God, helping to create stars and moon and earth. Now, he slips into fragile human skin: sleepy eyes, tiny toes, and wholly relying on human parents. Meanwhile, his Father sets a new star in the heavens to proclaim the royal birth. “Noel” is from the French for natal – literally: birth. “Born to suffer, born to save” – you’ll see a momentary foreshadowing of this in the final manger scene, though I wasn’t thinking of the song’s lyrics when I painted it. Here, I’ll give a shout out to Jose, who edited footage for me: cropping, adjusting exposure, and timing it all to the music. Watching this video, I hope you’ll enjoy the transformation from scene to scene. More than that, I hope you’ll enjoy the story as a whole: a story woven from before time, when the “light of the world” first made plans to come to earth.