When traveling, you meet many people along the way. Some are faces in passing: the friendly young woman in a dress shop; an Irish gal who visited Edinburgh for a month and decided to stay a year; a young rugby coach who serves Subway sandwiches; the Edinburgh native who shared stories of her city as we hopped on a tour bus. Others we’ve been in contact with for several months and may stay in contact with long after we leave…such as the lady who owns our tiny rental home on Storr Loch. Each face is a Polaroid snapshot of our time in Scotland. A snatch of conversation here, a smile or word of advice there; all lives colliding, intermingling, then going our separate ways. I suppose daily life is like that back home, but I notice the people and remember the conversations more here because they’re connected with new sights and experiences.
Today’s portrait is one of those passing faces. In fact, I only know his first name because I happened to ask the receptionist at our hotel. Charles performs at Glencoe Inn several evenings a week. If I remember correctly, he was a drummer in a band that traveled ’round parts of Europe. But he felt that drums drowned out easy conversation. So, he picked up a guitar instead, where he can play and sing more as background music in the local pub. Simon & Garfunkel; the Beatles; Peter, Paul & Mary; and several other favorites are now part of my Glencoe memories. We talked of guitars – the tone difference between a Taylor and a Gibson. My dad has a 12-string he’s played since I was born. Charles has a 6-string, specially made for his left-hand playing. Mom and I will pass through that area again at the end of our trip. So, perhaps we’ll see him perform once more!
My brother and sister-in-law gave me a pocket-sized Winsor & Newton Cotman watercolor set for my birthday this year, in anticipation of this trip. They also gave me a couple of watercolor sketch pads. So, I came to Scotland prepared to paint! Winsor & Newton is the brand I’ve used since high school. The colors are rich; the texture is creamy. They cost more but are worth the investment if you plan to work long-term in watercolor. When you’re purchasing paints, cheaper brands tend to have a duller color and dusty texture as they dry. It’s as though they sit on top of the paper and don’t want to soak in or blend properly. My Cotman watercolors have never disappointed. And the pocket set is wonderful, including a tiny paintbrush that holds its tip shape and carries pigment well. The above portrait is approximately 7″x7″, all done with a Winsor & Newton sable (round, size 4) brush and the tiny brush from my new set. Sable brushes can cost anywhere from $20 – $60 each. However, if you take good care of them, they’ll easily last you 6+ years. This painting is completed almost entirely with blue, Alizarin crimson, yellow ochre, and burnt umber. My pocket set doesn’t include Payne’s Grey (my students know this is one of my favorite colors) or black, but I can get by without those…mixing burnt umber with blue to make a grey. I hope to post a few more “Portraits of Scotland” in the next few weeks, so stay tuned!